HEAD
Sequence of work................................................................8
I. Conception......................................................................9
Choice of materials................................................10
Study........................................................................12
II. Sketch............................................................................14
Composition...........................................................14
Proportions.............................................................14
Movement...............................................................16
Tonal relationships.................................................16
III. Building up after a Sketch
Defining the Main and the Secondary....................18
IV. Penciling of Details....................................................20
1. Eyes......................................................................20
2. Nose.....................................................................22
3. Mouth..................................................................24
4. Forehead..............................................................26
5. Analysis of forms with regard to main
intersections of planes.......................................28
6. Insertion of the neck into the shoulder girdle...30
V. Final Phase....................................................................32
FIGURE
Sequence of work..............................................................36
I. Conception....................................................................37
Choice of materials................................................38
Study........................................................................38
II. Sketch............................................................................40
Composition...........................................................40
Proportions.............................................................42
Movement...............................................................42
Tonal Relationships................................................44
III. Building up after a Sketch
Defining the Main and the Secondary................46
IV. Penciling of Details....................................................48
1. Torso....................................................................50
2. Head.....................................................................52
3. Arms. Pelvis........................................................54
4. Knees...................................................................56
5. Feet.......................................................................58
V. Final Phase...................................................................60
EXAMPLES FOR STUDYING
Supplement........................................................................64
